Latency compensated, click free bypass (i.e.Delta preview mode previews the difference between compressed and original signal.Advanced stereo linking options optimized for the stereo bus.“Crest factor” based control scheme offering independent release controls for peak and RMS events.Super fast, yet natural sounding compression.“Delta” oversampled signal path (bit transparent at 0dB gain reduction).64bit multi-rate processing structure for highest accuracy.This is the original! Key specs and features The concept is “proudly digital” in the sense that it doesn’t try to emulate any previously existing device. As such, it is perfectly suited to stereo bus compression as well as other critical applications. With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms. I’ll show you how vital these controls are with the following example.TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. 2:1 and 4:1 are common ratios we use in compressing the bass.Īttack and release determine how quickly the bass will be tamped down by the compressor, and how quickly the compression will ease up once the level is back below the threshold. The higher the ratio, the more drastic the compression effect will be. The ratio control will help determine how much compression is applied to the signal. It depends on the bass in question-how loud it is, how bassy it is, and how dynamic it is. I can give no hard and fast rule about how to set your threshold. When the bass exceeds a level that we’ve determined, the compressor will begin to do its job, attenuating the signal down. Let’s start at the top: When compressing bass guitar, the bass feeds the compressor’s input. For more information on what each of these parameters do, visit our comprehesive compression guide for beginners. The sidechain detector is also important. Threshold, ratio, attack and release are the main ones, followed by the knee. It's important to know compression controls. A common way to solve this problem is to duck the bass with compression whenever the kick hits. This can cause problems when trying to balance these two instruments, for one can obscure the other.
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